The walls on the way to the Seed art installation, in The Core building at the Eden Project. A new preset I’ve made in onOne Perfect Effects here, for use with high ISO images – it runs noise reduction first, then sharpens the result a little, then adds a slight vignette, and emulated film grain. […]
Charlie looking at the Seed sculpture, in The Core building at the Eden Project. This one took a surprising amount of processing. I wanted to bring out the texture in the Seed, to make it stand out, but anything that did that also made Charlie look worse. I masked out the left side of the […]
Lots of shots, all processed first in onOne Perfect B&W, then stitched together in PanoEdit.
The walkway leading to the entrance to the Eden Project. I used the Dramatic Light filter in onOne Perfect B&W for most of the image, but used Perfect Layers to mask out the woman’s head, and applied a bit of extra detail and desaturation to her hair in the Enhance module.
The top of the Seed art installation, inside The Core building at the Eden Project. Processed with onOne Perfect B&W. Shallow depth of field provided by the Canon FL 58mm f/1.2 lens.
The Seed art installation, in The Core, at the Eden Project. Processed with onOne Perfect B&W’s Ansel in the Valley filter, with the toner removed to make it plain B&W.
Three shots, all processed quite differently in onOne Perfect Effects, then stuck together with DoubleTake. A penguin playing with dots of light, just like cats do, watched by Charlie.
Sam on the phone. Testing a new (to me) Industar-50 collapsable lens from 1959. Seems to work. Processed with the Ruth filter in onOne Perfect B&W.
In the tropical biome at the Eden Project.
A quick stitch from PanoEdit, to join two photos into one. Detail brought out with a bleach bypass filter in onOne Perfect Effects. Taken from the top of the John Lewis car park in Exeter.